He was painfully in earnest, too. The glance, which he threw at the door, was singularly expressive of his character: it was a mixture of alarm, effrontery, and resolution. This incredible scene robbed him of the sense of locomotion. “What are we going to do?” said Capes, with his eyes on the broad distances beyond the ribbon of the river. How can he help you?” She threw such a look upon him that even he, Sir John Ferringhall, carpetmerchant, hide-bound Englishman, slow-witted, pompous, deliberate, felt his heart beat to music. It was Annabel who spoke. “It—it—must come,” she faltered. If she mentioned Ramage he might have a fit—anything might happen. In consequence of the encouragement thus offered to dishonesty, and the security afforded to crime, this quarter of the Borough of Southwark was accounted (at the period of our narrative) the grand receptacle of the superfluous villainy of the metropolis. Of all crafts,—and it was the only craft his poor father, who, to do him justice, was one of the best workmen that ever handled a saw or drove a nail, could never understand,—of all crafts, I say, to be an honest man is the master-craft.
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