F. ” “Lydia Languish, for example. Who is the beautiful intruder? And why does she disguise herself as a nun? Why is she involved in an enterprise both foolhardy and dangerous? The girl’s accent suggests an émigré but Mademoiselle insists she is English. ” “Too much character, and too little sentiment,” he answered. But his words were borne away by the driving wind. It was one of the most educational disillusionments in Ann Veronica’s career.
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