‘It is necessary that one is at all times ready to protect oneself,’ explained the young lady flatly. C. . . ” “I won’t keep you very long, daddy,” said Ann Veronica. “You might at least,” she murmured, “have invented a more romantic reason. Spurlock was no longer a man before this instinct; he was a child in trouble. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. In the sixth center row sat an unexpected guest, his Classical Greek features stark in the yellow half light.
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