‘You ain’t got nothing on me. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “But for you Dad would never have let me marry Lescelles. The prisoner breathed with difficulty. Wudd I'm here, and have brought him a message from his unlawful son, and don't be detainin' me, my darlin', for there's not a minute to lose if the poor lad's to be recused from the clutches of that thief and thief-taker o' the wurld, Jonathan Wild. He dissected rather awkwardly and hurriedly, but, on the whole, effectively, and drew with an impatient directness that made up in significance what it lacked in precision. He passed, and came loitering back and stood beside her, silently looking into her face. Winifred listened to his narration with the profoundest attention; and, when it concluded, her tearful eye and throbbing bosom told how deeply her feelings had been interested.
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